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Brooke and Shawn Raboutou Top Hard Problems in Ticino and Yosemite

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  • 50 years used vs stored

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    HowNOT2H
    https://www.youtube.com/watch?v=giS0mNyiVpw
  • Guidebook XIV—Member Spotlight

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    American Alpine ClubA
    Spacewalking outside the Hubble Space Telescope, John Grunsfeld wasn’t that much closer to the stars than when he was back on the surface of Earth, but it certainly felt that way. The sensation of spacewalking, of constantly being in freefall, but orbiting Earth fast enough that it felt like weightlessness, was more of a thrill than terrifying. Looking out to the vaster universe, seeing the moon in its proximity, the giant body of the sun, stole his breath away. Grunsfeld was experiencing a sense of exploration that very few humans get to. It was deeply moving, a sensation he also got in the high glaciated ranges when he’d look around and be surrounded by crevasses and granite walls of rock and ice. Throughout his life, he couldn’t help but seek out the most inhospitable places on the planet, and even beyond. You might think that there is nothing similar between climbing and spacewalking. But when you ask John Grunsfeld, former astronaut and NASA Chief Scientist—and an AAC member since 1996—about the similarities, the connections are potent. The focus required of spacewalking and climbing is very much the same, Grunsfeld says. Just like you can’t perform at your best on the moves of a climb high above the ground without intense focus on the next move and the currents of balance in your body, so, too, suited up in the 300-pound spacesuit, with 4.3 pounds per square inch of oxygen, and 11 layers of protective cloth insulation, you still have to be careful not to bump the space shuttle, station, or telescope as you go about the work of repairing and updating such technology—the job of the mission in the first place. Outside the astronaut’s suit is a vacuum, and Grunsfeld is not shy about the stakes. “Humans survive seconds when vacuum-exposed,” he says. With such high risks, it’s a shame that the AAC rescue benefit doesn’t work in space. Not only is spacewalking, like climbing, inherently dangerous, it also requires intense focus, and it can be a lot like redpointing. Grunsfeld reflects that “it’s very highly scripted. Every task that you’re going to do is laid out long before we go to space. We practice extensively.” In Grunsfeld’s three missions to the Hubble Space Telescope, his spacewalks were a race against the clock—the battery life and limited oxygen that the suit supplied versus the many highly technical tasks he had to perform to update the Hubble instruments and repair various electronic systems. It’s about flow, focus, and execution—skills and a sequence of moves that he had practiced again and again on Earth before coming to space. Similarly, tether management is critical. Body positioning, and not getting tangled in the tether, is important in order to not break something—say, kick a radiator and cause a leak that destroys Hubble and his fellow astronauts inside. But to Grunsfeld, the risk is worth it. The Hubble Space Telescope is “the world’s most significant scientific instrument and worth billions of dollars. Thousands of people are counting on that work.” Indeed, perhaps a little more is at stake than a send or a summit. Growing up in Chicago, Grunsfeld’s mind first alighted on the world of science and adventure through the National Geographic magazines he devoured, and a school project that had an outsized effect. Grunsfeld’s peers were assigned to write a brief biography of people like George Washington and Babe Ruth. Rather than these more familiar figures, Grunsfeld was assigned to research the life of Enrico Fermi—a nuclear physicist who was instrumental in the Manhattan Project, the creator of the world’s first artificial nuclear reactor, and a lifelong mountaineer. Suddenly, science and the alpine seemed deeply intertwined. Grunsfeld started climbing as a teenager, top-roping in Devil’s Lake, back when the cutting edge of gear innovation meant climbing by wrapping the rope around your waist and tying it with a bowline. Attending a NOLS trip to the Wind River Range and further expanding on his rope and survivor skills truly cemented his love of climbing in wild spaces. Throughout the years, climbing was a steady beat in his life, a resource for joy. He would climb in Lumpy Ridge, the Sierra, the White Mountains of New Hampshire, Tahquitz, Peru, Bolivia, and many other places with his wife, Carol, his daughter, and close friends like Tom Loeff, another AAC member. If climbing was a steady beat, his fascination with space and astrophysics would be a starburst. At first, his application to become a NASA astronaut was denied, but in 1992, Grunsfeld joined the NASA Astronaut Corps. It would shape the rest of his life’s work. Between 1... https://americanalpineclub.org/news/2025/5/19/guidebook-xivmember-spotlight
  • Ice Climber Dies in the Canadian Rockies

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    GrippedG
    Few details have been made available about a fatal accident that took place earlier this month The post Ice Climber Dies in the Canadian Rockies appeared first on Gripped Magazine. https://gripped.com/news/ice-climber-dies-in-the-canadian-rockies/
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    IFSCI
    https://www.youtube.com/watch?v=r4qxV3wZBWs
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    UK ClimbingU
    Tom Randall has made the first ascent of Autobahn, an offwidth located under a bridge in northern Berlin. https://www.ukclimbing.com/forums/t.php?n=775278
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    ClimbingZineC
    “We’re not sponsoring The Climbing Zine, because we’re only doing digital ads this year,” my contact at Patagonia told me.  This was a setback I’d been anticipating — Patagonia has pulled back from a few different long term sponsorships — but to hear these words directly, from my long term business colleague who represents the… https://climbingzine.com/keeping-the-zine-alive-after-losing-patagonia/
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    American Alpine ClubA
    By: Katie Ives Each book in the American Alpine Club Library is a portal to another world—of golden spires feathered with rime, fluted snow beneath indigo skies, or red-granite aiguilles above a sea of ice. Beyond these worlds, there are countless layers of other worlds encountered by readers inspired to seek their own adventures and return with their own tales. For climbing is an act of storytelling: we trace the arc of a narrative with our bodies and our minds, rising from the base of a mountain toward a climactic point and descending to a resolution. And the history of mountaineering is also the history of reading and imagination, of old dreams endlessly transforming into new ones. On July 15, 1865, English alpinist Adolphus Warburton Moore found himself on the edge of a ridge that looked like something from a fantasy novel. The slender crest of blue ice seemed to rise for an eternity. Sheer voids dropped off on either side. Neither the iron tips of their alpenstocks nor the hobnails of their boots stuck to its flawless surface.   It was inconceivable to climb. No one had yet established a route on this aspect of Mont Blanc, where the Brenva Face rose for 1,400 meters in a chaos of cliffs, towers, and buttresses, fringed by unstable seracs and swept by avalanches and rockfall.  Still, the Swiss guide Jakob Anderegg kept going, and the rest of the team, including Moore, cautiously followed. As the crest narrowed, they shuffled along à cheval, one leg on either side, aware that any fall might be catastrophic [1]. Long after they finished the first ascent of the Brenva Spur and descended by a safer route, the ice crest lingered in the imaginations of those who read Moore’s memoir, The Alps in 1864. In 1906, British author A.E.W. Mason located the climactic scene of his crime novel Running Water on the Brenva Spur—a point of no return that appeared perfect for an attempted murder of one climber by another, “a line without breadth of cold blue ice” [2]. Mason’s Running Water, like its author’s inspiration, begins with reading. Riding the train to Chamonix, his young protagonist Sylvia Thesiger becomes immersed in an old copy of the British Alpine Journal, published more than two decades prior to the novel. All night, she couldn’t sleep, remembering her first glimpse of the Mont Blanc massif beyond the curtain of a train window, recalling her sense of inchoate longing for its moonlit towers of ice and snow.  Although women climbers had taken part in numerous firsts by the time of the novel’s plot, they weren’t permitted to publish in the Alpine Journal under their own bylines until 1889, when Margaret Jackson recounted her epic first winter traverse of the Jungfrau. And there’s no female author or character in the story Thesiger reads about the first ascent of an aiguille near Mont Blanc. Yet she longs to enter its world, and when she arrives in Chamonix, she hires guides to take her on her own first climb, up the Aiguille d’Argentière. As an ice slope tilts upward, sheer and smooth as a pane of glass, she rejoices, feeling as if she’s finally dreamed her way into a scene from mountain literature, “the place where no slip must be made.” Astounded at her fearlessness and intuitive skill, a guide tells her she bears an uncanny resemblance to a famous climber from the Alpine Journal story she’d just admired.  “I felt something had happened to me which I had to recognize—a new thing,” she recalls. “Climbing that mountain...was just like hearing very beautiful music. All the vague longings which had ever stirred within me, longings for something beyond, and beyond.” Later, after she falls in love with a climber, the memory of that day suffuses their bond with a steadfast alpine glow—“ice-slope and rock-spire and the bright sun over all.”    By the end, however, the novel shifts from her journey of self-discovery toward an outcome more conventional for its era. Newly wed, Thesiger is relegated to waiting below the Brenva Spur while the male hero and villain confront each other above that narrow blue crest. Readers don’t find out, for certain, whether she’ll climb any mountains again. A sense of incompleteness remains: the mysterious promise of her alpine epiphanies and of her suppressed and inmost self seem to flow beyond the narrative’s abrupt conclusion, like the recurring dreams she has of running water.  After the publication of https://americanalpineclub.org/news/2024/6/26/the-climb-that-inspired-the-novel-that-inspired-the-climbs-the-many-stories-of-the-brenva-face-of-mont-blanc
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    Access FundA
    https://www.accessfund.org/latest-news/climbings-hottest-topics-we-asked-you-answered