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American Jenny Abegg Sets Patagonia Record

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    GrippedG
    The sport climbing kids keep getting stronger, but 5.12a still holds its place as a coveted grade for most The post Five Squamish 5.12a Sport Climbs You Won’t Find in the Guidebook appeared first on Gripped Magazine. https://gripped.com/profiles/five-squamish-5-12a-sport-climbs-you-wont-find-in-the-guidebook/
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    Access FundA
    https://www.accessfund.org/latest-news/what-climbers-need-to-know-about-the-budget-reconciliation-bill
  • Yosemite Bans the Use of Rock Climbing Chalk

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    GrippedG
    Nobody yet knows the fate of the famous Midnight Lightning chalk drawing The post Yosemite Bans the Use of Rock Climbing Chalk appeared first on Gripped Magazine. https://gripped.com/profiles/yosemite-bans-the-use-of-rock-climbing-chalk/
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    American Alpine ClubA
    In this episode, we’re sitting down with AAC member David Corvi to talk about his Live Your Dream grant experience—a beautiful day that turned into a 24 hour epic on Mt. Whitney in September of 2024. Getting off route, climbing through pockets of ice and show, and getting lost on the descent were only some of what the team experienced that day. Because there is another layer of complexity to this story, a mental load that added a unique weight to that experience. David’s trip to Whitney was also in memory of his stillborn son, Charlie. In the episode, David shares about his family’s experience with infant and child loss, how climbing and other forms of outdoor adventures have helped him process his grief and continue to parent Charlie even though he is gone, and likewise he reflects on how physical challenges, like half marathons and the Whitney trip, are a way to honor the life Charlie won’t ever get to experience. Dive into this episode to hear about your classic alpine day gone wrong, and just one way that grief and loss can be processed in the mountains. Apply to the Live Your Dream Grant (Opening March 1st, 2025) Charles Martin Corvi Fund Website How to Buy the Book: “Dear Charlie...Letters to My Son: A Father's Journey of Loss, Grief, and Remembrance” Deep Survival by Laurence Gonzalez Healthy Birthday (Stillbirth Prevention Advocates) Star Legacy Foundation Now I Lay Me Down to Sleep https://americanalpineclub.org/news/2025/2/27/connect-remembering-charlie-through-an-epic-on-mt-whitney
  • Falling on Different Crashpads Until I Broke

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    Hard Is EasyH
    https://www.youtube.com/watch?v=jPfDTBHuLN8
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    American Alpine ClubA
    Every year, ice climbers flock to the Ouray Ice Festival to test their skills on the human made ice flows in the park. A select few test their skills on the ice climbing competition wall. Routes are created that include ice, rock, and plywood in the Scottish Gullies section of the ice park.  The American Alpine Club sat down with USA ice climbing competitor Keenan Griscom. Griscom was rocking a North Face leopard-print 1996 retro Nuptse puffer and Y2K gray wrap-around sunglasses, as chill as the ice around us. We chatted about growing up competing in ice climbing competitions, his new link up Tommy's X (5.14b) in Clear Creek Canyon's Nomad’s Cave, and his experimental competition headspace. The experiment succeeded clearly, since Griscom took home the gold in the Ouray men's lead finals the next day. AAC: You were the youngest American to win the Ouray Elite Mixed Climbing Competition at age 16. When did you start climbing? How did you get into competitive ice climbing? Keenan Griscom: My dad actually started me ice climbing when I was four or five here in Ouray. So I've had tools for a long time. And then through Marcus Garcia, [I] found the competition scene and got hooked. I was doing rock comps, and the community in the ice climbing comps was just, so, so good and supportive and friendly, so, as someone who's already into competing, starting the ice comps is just like, oh, this is it. This is a cool spot to be in. AAC: What was it like competing at such a young age? KG: I don't know, I've been competing since I was nine. It was somewhat second nature. I've always wanted to give it [my] all in the comps. And Ouray was really special because when I started, there weren't any age categories. It was just the open format, and anyone could sign up. So if you were in, you're competing with everyone. My first two seasons, I didn't place particularly well. But it was so cool to be competing with people like Will Gadd and Ryan Vachon and all these epic mixed-climbers and alpinists who I looked up to. AAC: What drew you to continue doing competition ice climbing while you fell away from competition bouldering and rock climbing? KG: I stopped competing in rock comps mainly because the scene isn't as welcoming. There's a lot more toxic competitive nature there, and a lot of people get really worked up and will take other people down to get a better result. There's not really any of that in the ice climbing crew. Ice climbing comps are really fun. I'm going to stick with that. But I've been rock climbing outside nonstop. AAC: On that note, I noticed you put up an alternative finish to Tommy's Hard Route (5.13d)—Tommy's X (5.14b). What is the relationship between route development and ice climbing? How do those two things relate, if at all for you? KG: They don't relate a ton since I haven't really done much development for ice or mixed. I've gotten a lot of help from mentors like Marcus, who I met through ice climbing, to teach me development ethics. That route, specifically, it's in a cave near my house, and there's a lot of link ups. I didn't put in any new bolts [for Tommy's X] it was just a new line that hadn't been done yet. AAC: And what inspired you to do that? KG: Tommy's Hard Route (5.13d) is an old school natural line in a cave that's almost all manufactured. There is this really, really big dead point crux that I always thought was super, super interesting. Then it's over. You do this really gnarly dead point, and it's jugs to the chains. Which is nice, but more sustained climbing is more my style. There's this other route called Predator X (5.13a/b) that comes in from the left and finishes basically directly above that dead point. And one day, I was wondering if I could link those up, and then it'd be like a perfectly straight line of bolts through the wall. Yeah, it ended up being a really interesting crux sequence after the initial crux. AAC: That's awesome. You also boulder, can you tell me a little bit more about that? KG: Yeah, I grew up almost exclusively sport climbing, and then started to do ... https://americanalpineclub.org/news/2025/1/30/fvxv7num1r05699fupr3gyohwfk4f5
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    EpicTVE
    https://www.youtube.com/watch?v=h_G6_vCvB5A
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    climbingC
    https://www.climbing.com/news/jonathan-siegrist-anemology/