How would you describe the scope of the work that goes into making the American Alpine Journal (AAJ)?
Dougald MacDonald: Producing the AA J is a year-round effort that involves literally hundreds of people. The actual âstaffâ of the AAJ (who are all part-timers and volunteers) includes more than 15 people, and each year we work with roughly 300 individual climbers and photographers to share their stories.
The book goes to press in late April, so the peak of the cycle is in March and April. But the work on the following yearâs edition starts immediately, plus we prepare and upload online stories all year round. AND we produce The Cutting Edge podcast and the monthly Line newsletter.
Whatâs the history of the AAJ? How has it changed over the years?
DM: The AAJ is coming up on its 100th birthday, and unsurprisingly it has changed quite a lot over the years. It started out as much more of a Club publication, telling the stories of AAC membersâ adventures. In the 1950s, with the rise of Himalayan climbing, the book started to become much more international. But it was really Ad Carterâwho edited the AAJ for 35 years, starting in the 1960sâwho created the wide-ranging, international publication it is today. We no longer focus mostly on the activities of AAC membersâthough weâre very happy to tell those stories when we canâbut instead try to document all significant long routes and mountain exploration anywhere in the world, by climbers from every country.
For both the AAJ and Accidents in North American Climbing (ANAC), the most significant changes of the last 10 to 15 years have been 1) the introduction of color photography throughout both books and 2) the launch of the searchable online database of every AAJ and ANAC article ever published.
Whatâs an example of a unique challenge the editors have to deal with when making the AAJ?
DM: One challenge is that we come out so long after many of the climbs actually happened. So, readers may have seen something about any given climb several times, in news reports and social media posts and even video productions. But the AAJ has never been in the breaking news business. Instead, we aim to provide perspective and context. Perspective in that we donât have any vested interest that might slant a story one way or another, and context on the history and geography that helps readers really understand the significance of a climb, how it relates to whatâs been done before, and what other opportunities might be out there. Another big challenge is language barriers, since we work with people from all over the world. Weâre fortunate to work in English, which so many people around the world use these days. We also use skilled translators for some stories, and online translation tools have improved dramatically in recent years. But thereâs still a lot of back-and-forth with authors to ensure weâre getting everything just right.
Whatâs an example report that was really exciting for you to edit from the last few years?
DM: For me, personally, the coolest stories are the ones that teach me about an area of the worldâor a moment in climbing historyâthat I knew nothing about before starting to work on a story. In the upcoming book, for example, we have stories about winter climbing in Greece (who knew?) and a mountain range in Venezuela thatâs gorgeous and has peaks over 16,000 feet. Unfortunately, that range is rapidly losing its snow cover and its small glaciers. AAJ senior editor Lindsay Griffin, who is editing the story, did some cool climbs in the range in 1985, and the difference between his photos and those from today is shocking.
Are there any big differences in process between making the AAJ and ANAC?
DM: The biggest differences are just the scale and scope of the two books: The AAJ is a nearly 400-page book that tries to cover the entir...
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